PROGRAMA
Opera de la Calle
Teatro Arenal, Avenida 41, esquina 30
1. OBERTURA MEDITERRÁNEA /
de E. Vega / Solista: Claudia Aquino
2. LE LION EST MORT /
de Henry Salvador / Arreglos: U. Aquino / Solista: Yunier
Pérez
3. HIMNO
INTRODUCCIÓN / de U. Aquino
4. CABILDO (Zarzuela
María la O) / de E. Lecuona / Arreglos: U.
Aquino / Solistas: Yunier
Pérez, Laritza Rincón y Merilis
Fernández
5. CANTO ARARÁ / Arreglos:
U. Aquino / Solistas: Laritza Rincón / Geodalis Cumbá
6. CANTO ABAKUÁ Arreglos:
U. Aquino / Solista: Yunier Pérez
7. DE LA HABANA A MATANZAS /
de J. Formell / Solista: Yunier Pérez
8. CUANDO SE VAYA LA LUZ /
de Frank Delgado / Arreglos: E. Vega
Solistas: Rasec Peña, Claudia Aquino, Neno González,
Aymé Canto y Armando Omar Pérez
10. TANILA /
de G. Roig
11. NEGRAS LUCUMÍ / de E. Lecuona
12. TIPO TÍPICO /
de W. Chirino / Arreglos: C.Aquino- D. Llanes
13. PADRE NUESTRO (Ópera
Benkos) / de J. E. Fadul / Arreglos: U. Aquino / Solista: Merilis Fdez.
14. O FORTUNA (Carmina
Burana) / de C. Orff / Arreglos: U. Aquino
15. HABANERA (Ópera
Carmen) / de G. Bizet / Arreglos: C. Aquino-U.Aquino
Solistas: Claudia
Aquino o Dayri Llanes
16. RAPSODIA BOHEMIA / de Queen
/Solista: Dayri Llanes / Actuación: Claudia Aquino y Deyanira
Salazar
17. SOMEBODY
TO LOVE / de Queen / Solista: Rasec
Peña
18. IMAGINE /
J. Lennon / Arreglo: U. Aquino / Solistas: Dayri Llanes,
Rasec Peña y Claudia
Aquino
19. AICHA / de Khaled /
Arreglos: C. Aquino-D. Llanes / Solista: Rasec
Peña
20. ZAMBRA (Zarzuela La Leyenda del Beso) / de Soutullo
y Vert / Solista: Claudia Aquino
21. POR AMOR / de R. Solano /
Solistas: Merilis Fernández, Yunier Pérez , Claudia Aquino, Dayri
Llanes, Rasec Peña y Mtro. Ulises Aquino.
BAILARINES: Maikel Díaz, Yohara García, Darisley Zuazo,
Yaima Rodríguez
CORO: Geodalis Cumba, Sandra Wong, Emma
Cubas, Mayra Martez, Mayara Calderón, Yanaysi Montalvo, Yurina Cardosa, Laritza
Rincón, Adilen Sardiñas, Dayri lanes, Claudia Aquino,
Merilis Fernández, Deyanira Salazar, Miguelina Acea, Aymé Canto, Mariam
Fabregas, Wilmar Cumberbach, Ignacio Díaz, Armando Pérez, Roger Santana, Yunier
Pérez, Alexei Cabrera, Adonis Valdivia, Rasec Peña, Neno González, Bernardo,
Dioney Gonzalez, Dayisel Gorina y Laura Ansorena
Músicos
Rafael Aquino, Julio Zaldívar, Raicel González,
Franco Martín, Daniela Rosas,
Dagoberto
Arbelaez, Angel Matayoshi y Ernesto Domínguez
Dirección Coral y Musical: Claudia Aquino
Producción: Dai-Ellie Bignotte
Asistente de Producción: Yamile Sonido: Miguel Ángel Pardo y Yauset Sánchez
Asistente de Producción: Yamile Sonido: Miguel Ángel Pardo y Yauset Sánchez
Técnico: Reinier Valladares
Luces: Victor Sánchez
Diseño de Vestuario: Anayce Figueroa
Relaciones Públicas: Camila González Director
Luces: Victor Sánchez
Diseño de Vestuario: Anayce Figueroa
Relaciones Públicas: Camila González Director
Dirección Artística y General: Mtro.Ulises Aquino
***********************
Hatuey: Memory of Fire
***********************
Opera de la Calle is best translated as “Music of the Streets”. Celebrating its tenth anniversary, the company creatively and energetically mixes 500 years of Cuban culture, a fast moving hard to describe pastiche of dance, voice and instruments encompassing local traditions and international influences. Members of the company include professionals graduated from Cuba’s finest schools of music and dance and newcomers whose natural talents have found release and nurture.
Opera is not only exceptional entertainment, quite popular with contemporary Cuban audiences and all variety of foreign visitors, but also a fault line in Cuban cultural change. You can read more about its complicated and controversial history as a pioneering mixed private public venture here: http://operadelacalle.blogspot.com/
Creator (and international opera singer) Ulises Aquino is well regarded in the mainstream of the Cuban arts world and has achieved respect for his independent path. The Ministry of Culture and friends in the US are investing in the rehabilitation of the Arenal Theater as a permanent home for Opera.
(A story is circulating that the controversial abrupt closure of its previous home at El Cabildo was not due to the political problems that most critics assumed but may have resulted from complaints by two important ambassadors whose residences are nearby and were disturbed by the noise level and public commotion late into the evening. In any case, by 2019 they regained access to El Cabildo, and the ambassadors' residences were moved.)
Opera is not only exceptional entertainment, quite popular with contemporary Cuban audiences and all variety of foreign visitors, but also a fault line in Cuban cultural change. You can read more about its complicated and controversial history as a pioneering mixed private public venture here: http://operadelacalle.blogspot.com/
Creator (and international opera singer) Ulises Aquino is well regarded in the mainstream of the Cuban arts world and has achieved respect for his independent path. The Ministry of Culture and friends in the US are investing in the rehabilitation of the Arenal Theater as a permanent home for Opera.
(A story is circulating that the controversial abrupt closure of its previous home at El Cabildo was not due to the political problems that most critics assumed but may have resulted from complaints by two important ambassadors whose residences are nearby and were disturbed by the noise level and public commotion late into the evening. In any case, by 2019 they regained access to El Cabildo, and the ambassadors' residences were moved.)
Hatuey: Memory of Fire
Music by Frank London • Libretto by Elise Thoron
Opera de la Calle performed the first production of this opera in 2017 directed by Ulises Aquino, video below. For background, read the introduction here by the librettist. https://elisethoron.com/hatuey.html
-- John McAuliff, Fund for Reconciliation and Development director@ffrd.org
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